Hugos

Aug. 19th, 2019 11:38 am
tree_and_leaf: Anne Shirley sitting at desk, head in hands (essay crisis)
Wait, how did Becky Chambers beat out Yoon Ha Lee and Aliette de Bodard for best series? How?

Come to that, while I don't think Charlie Stross' Laundry Files are as creative as Lee or de Bodard's work, I'd have put his solidly ahead of Chambers'.

(I don't even dislike the Wayfayrers series, it's just... really slight. And I bet is going to feel really dated really quickly).
tree_and_leaf: Watercolour of barn owl perched on post. (Default)
In the comments of this mildly satirical piece on how to write book recommendation lists, the author, James Nicholls, wonders if anyone would be interested in his "Top Ten Books That Are By Any Objective Standard Terrible That James Nevertheless Rereads."

Which got me wondering what I reread that falls into that capacity... but also wondering whether, if a book can keep you coming back to it, is it really terrible across the board, or is it merely mostly terrible, yet with one redeeming feature (which, admittedly, you may be virtually the only person left alive who still values it)?

I've got a suspicion I might, ten or twenty years down the line, end up placing "A Long Way to a Small Angry Planet" in that category - I certainly think it's going to end up looking like a massive period piece, unless of course civilisation does break down entirely - but I do enjoy it very much, even though I'm not quite convinced it's actually a good book...
tree_and_leaf: Peter Davison in Five's cricket gear, leaning on wall with nose in book, looking a bit like Peter Wimsey. (Books)
Find myself baffled by this list of SF books that aren't set in 'bleak dystopias.' I enjoyed "Ninefox Gambit," but in what sense is it not set in a horrific wasteland full of human rights violations?

And the Empire of Ancilliary Justice is not actually one I'd be queuing up to live in, what with the constant surveillance, the tyrannical and fractured government, and, oh yes, a military that recruits its grunts by murdering conquered people and turning their bodies into AI controlled drones. I mean, I love tea, but...

(I suspect what they actually mean is 'SF that's not grimdark!', but even then, I'm confused by the inclusion of Ninefox Gambit...)
tree_and_leaf: Watercolour of barn owl perched on post. (Default)
Anyone else get massive "Always been Starkadders at Cold Comfort Farm" vibes off this (i.e., I am not reminded of Cold Comfort Farm, but of what it's satirising?)
tree_and_leaf: David Tennant in Edwardian suit, Oxford MA gown and mortar board. (academic doctor)
The recent winner of the Nobel (sort of) prize for economics, Paul Krugman, seems an interesting chap. He's also a total geek with a good sense of humour, as the paper he wrote considering certain aspects of galactic trade demonstrates....

I do not pretend to develop a theory which is universally valid, but it may have some galactic relevance

*head-desk*

Feb. 8th, 2008 10:38 am
tree_and_leaf: Ten slumped against the TARDIS, tie askew, smiling slightly (Tenth Doctor)
I just saw - on the feminist SF blog Aqueduct Amble - the awards list for The Gaylactic Award - who the devil came up with that name? - for SFF positively portraying queer themes or characters.

The Other Works category has two Whoniverse related nominees, namely Torchwood S1, and The Empty Child/ The Doctor Dances.

To which I had two reactions, one sensible, the other decidedly stupid.

(i) "Torchwood S1 = awardwinning = ++ Out of Cheese Error Divide by Cucumber and Reboot ++". Or, as Ten would say, "What. What. WHAT?!"

(ii) "Why did they nominate 'The Empty Child', I wouldn't call the unpleasant householder having sex with the butcher for off the ration meat as positive... Oh. Yes. Jack. And Algy. But mostly Jack."

*headdesk*

Followed closely by the question, how on earth can you rate Torchwood above 'The Empty Child', which is one of the best pieces of telly I've seen in years. OK, it's not about queerness, but neither is Torchwood as such (arguably what Torchwood is about is innuendo, but so is pantomime, which is hardly a great progressive force) - though on the other hand, one of the themes is the deadly effect of denying the truth about yourself, and the liberating force of admitting it, even when it's something you've felt shamed and marginalised by. Without hitting people over the head with the moral, either.

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