Rejoice, we triumph, sort of

Apr. 21st, 2026 08:15 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

That is, I have finally knocked off a review that has been hanging over me for months, probably needs a little more fiddling with but it was very much I had got to the stage of 'just sit down and write the bloody thing' and did it. It's a book I'm fairly lukewarm about, doing fairly useful work with what it does but it feels a bit all over the place and hard to get a proper grip on.

Also, yay, am feeling rather less washed out than the past few days following vaxx.

We have appointment to see solicitor about our Testamentary Dispositions next week - finally found one in the fairly close vicinity through the Law Society Find a Solicitor facility.

Have just been getting Documentation from the local authority who are actually paying me to go and talk about johnnies in their collections in just under two months, so I guess that's sort of the next thing on my agenda.

Though am gradually making my way through ms by deceased colleague, though there is not major urgency on this as my collaborator is still in academic life and overwhelmed with the responsibilities of that at present.

Surprise time changes

Apr. 21st, 2026 08:02 pm
queen_ypolita: Woman in a Mucha painting (Mucha by auctrix_icons)
[personal profile] queen_ypolita
When I signed up for the third German module this year, the website had its session times in the same 6pm slot as before. And I believe the first standard notification about the course start date approaching and the Google classroom link also had that time. But we had another standard notification later last week, and that had the start and end times 15 minutes earlier. The website had also changed to this, but there was no other communication from the college. We had set up a Whatsapp group after the last session of the last term, so there was a flurry of questions and confusion. In the end, today, some of us were ready to be on Zoom from quarter to six, but the tutor had also missed the time change, so we started as usual at six. And we'll continue with that time slot as it works better for most of us. Not sure we'll find out what happened there, but the tutor will try to get to the bottom of it.
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Posted by Stefan Raets

Excerpts gothic fantasy

Read an Excerpt From A Dark and Wild Wood by Sarah Nicole Lemon

A lush and atmospheric story of a maiden with dark magic who becomes the apprentice to Lord Death—for a price.

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Published on April 21, 2026

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-a-dark-and-wild-wood-by-sarah-nicole-lemon/">https://reactormag.com/excerpts-a-dark-and-wild-wood-by-sarah-nicole-lemon/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846369">https://reactormag.com/?p=846369</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/fictions/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 0"> Excerpts </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/gothic-fantasy/" class="inline-block link-no-animation" aria-label="Link to term or tag gothic fantasy 1"> gothic fantasy </a> </span> </div> <h2 class="post-hero-title text-h1">Read an Excerpt From <i>A Dark and Wild Wood</i> by Sarah Nicole Lemon</h2> <div class="prose post-hero-description prose--post-hero">A lush and atmospheric story of a maiden with dark magic who becomes the apprentice to Lord Death—for a price.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/sarah-nicole-lemon/" title="Posts by Sarah Nicole Lemon" class="author url fn" rel="author">Sarah Nicole Lemon</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 21, 2026 </p> </div> </div> <div class="quick-access 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0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood-header-740x407.png" class="w-full object-cover" alt="Cover of A Dark and Wild Wood by Sarah Nicole Lemon." srcset="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood-header.png 1400w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We&#8217;re thrilled to share an excerpt from <em><a href="https://www.harpercollins.com/products/a-dark-and-wild-wood-sarah-nicole-lemon" target="_blank" rel="noreferrer noopener"><strong>A Dark and Wild Wood</strong></a></em> by Sarah Nicole Lemon, a debut dark fantasy publishing with Harper Voyager on May 26th.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Ever since she was a child, Salomé has been plagued by visions of spirits and dangerous powers she can’t control. After watching her foster mother burn as a witch, she and her beloved sister Rochelle are raised together in a convent, a grim and dreary existence. Until one day, Rochelle vanishes.<br><br>Determined to find a way to save her, Salomé runs: first to a brothel, and then, after a terrible accident, away from the village and into the woods. Deep amongst the trees of the wild Black Forest, she comes face-to-face with Lord Death.<br><br>Rather than taking her life, he brings her to his home at the heart of the woods, a strange manor full of locked rooms and mysterious corridors, crumbling one moment, magnificent the next. He promises to make her his apprentice and teach her how to harness her mind and magic. His words are as seductive as his presence—but should one trust Death?</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center">Drawn to the Edge</h3> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p>Another girl is gone,” Dacia said. “I heard from one of the washing women.”</p> <p>“Another?” I asked, then yawned. I stood bleary-eyed and clutching my too-thin wrap against the icy wind, on the premise of scrounging up some eggs for Cook. The rest of the girls were inside, clinging to the last few moments of sleep before Josef would order them up.</p> <p>Privacy was hard to come by in a brothel, but in these late morning hours when all the previous night’s patrons had left and that night’s patrons had yet to arrive, there were a few precious moments when I could pretend we were just two village wives, our cheeks and noses reddened from the wind and our eyes weary from babies or husbands keeping us up at night. I drifted off, staring at Dacia’s golden curls as she ducked to look behind a barrel for some hidden nest. She straightened and caught me staring.</p> <p>But I did not blush. I never blushed.</p> <p>“You’re supposed to be looking for eggs,” Dacia scolded.</p> <p>“I’m too cold,” I said. But I turned my attention to the nooks and crannies of the yard where the chickens liked to lay.</p> <p>It had been an early and long winter, following a meager harvest. The first girl went missing in the October freeze, before Allhallowtide. At first, there were the usual tales of wolves and running off, but then another disappeared, and then another and another and another. A few had been daughters or wives of good standing in the village, <em>good girls</em>, and so the tales had shifted. The current favorite was that of Death, a tall lord, all in black, who rode a black stallion with smoke at its hooves, and lured girls from their beds to carry off to his château deep in the forest. Sometimes as slaves. Sometimes as queens. The village opinion of the girl in question determined the difference in her fate.</p> <p>I picked a corner of the yard where Dacia could not see, and thinking only of having an egg deposited into my hand, reached. My fingers slid across the warm shell of the egg, buried in the straw. “Here,” I said, offering her the pretty blue pullet. “Who was it?”</p> <p>Her smile was generous and just a little sly, there at the corner, which always made my heart race. She took the egg and tucked it away under her wrap. “I don’t know how you find them so easily.”</p> <p>“A gift,” I said with a bitter little laugh and quickly changed the subject. “She probably ran away. Hoping to find patrons other than the Baron’s men,” I said to reassure her. It had only been last summer when our long absent Baron arrived from King Frederick II’s court in Palermo to take up residence in his valley maison. At first, we were excited for the flush of new men and good business. But soon after his arrival it became clear that the Baron was present only to send out a large retinue of guards to gather tributes, taking back in taxes nearly everything we earned from his soldiers. I’d heard—not from his soldiers, but from other women at the well—that he’d been exiled from the Holy Roman Court on account of some financial misdeeds.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood.jpg" class="attachment-full size-full" alt="Cover of A Dark and Wild Wood by Sarah Nicole Lemon." /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <!-- <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood.jpg" class="attachment-full size-full" alt="A Dark and Wild Wood" /> --> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood.jpg" class="attachment-full size-full" alt="Cover of A Dark and Wild Wood by Sarah Nicole Lemon." role="presentation" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">A Dark and Wild Wood</h3> <p class="shop-the-book-author">Sarah Nicole Lemon</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1776799826" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1776799826" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner testclass"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="icon-close"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood.jpg" class="attachment-full size-full" alt="A Dark and Wild Wood" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood.jpg" class="attachment-full size-full" alt="A Dark and Wild Wood" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">A Dark and Wild Wood</h3> <p class="shop-the-book-modal-author">Sarah Nicole Lemon</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0FM3LLPYB?tag=tordotcomgeneral-20" data-book-title="A Dark and Wild Wood" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9780063441583" data-book-title="A Dark and Wild Wood" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9780063441576" data-book-title="A Dark and Wild Wood" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9780063441583" data-book-title="A Dark and Wild Wood" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9780063441583" data-book-title="A Dark and Wild Wood" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>“You don’t think it’s Lord Death?” Dacia’s question was said in jest, but it did not distract me from hearing the undercurrent of fear that swirled in her voice. We all asked the reasonable questions: If they had run away, why had none ever sent word? If they had died, why had no one found their bodies?</p> <p>I remembered the black-eyed gaze of the burning man, looking at me from inside the forest, and a chill crept down my spine. That was the kind of creature in the forest—not some romantic hero that whisked beautiful girls away to make them queens. And too, I remembered the thin figure that had come for Valerie as she burned. That was no Lord or even man. But saying any of this would make Dacia think I’d lost my mind.</p> <p>“Or they ran away to the Bandits of Molsheim,” I offered instead, with a waggle of my eyebrows. The bandits, supposedly led by a pair of much-sighed-about green eyes, had started tormenting the new Baron.</p> <p>Dacia laughed and shook her head at me.</p> <p>“Be sensible,” I said. “If <em>you </em>were Lord Death, you would not keep a home in the middle of a nowhere such as this.”</p> <p>“If it was Lord Death, I might rather he take me,” she said, and I could tell I’d set her at ease. But then she looked toward the forest and called. “Lord Death!”</p> <p>A raw bite of wind snuck along my neck, and the moment she called out, it gusted and sent chills up my arms. It seemed the whole world fell silent, as if a speaker had overheard his name and abruptly stopped so he might eavesdrop.</p> <p>“Stop,” I hissed, panicked.</p> <p>Her face fell. Eyes wide. “Salomé, I was only joking.”</p> <p>“I know, but…” I half turned, glancing behind me at the mountain ridge looming just past the village. The dark gray trees clattered like bones in the wind. A terrible burning leapt into my throat, as if I were still out there, in the field, screaming for my sister to be returned to me. “You don’t know what you might call. I can’t…” But my words stayed clumped together in my throat.</p> <p>I was now twenty-four, and five years had passed since I’d lost Rochelle, but my childlike terror and the memory of the monster who took her remained clear and vivid in my mind. I had never heard a story since that described such a creature or explained what it might have been. My stomach trembled and I grabbed Dacia’s hand in the middle of crossing herself. “Let’s go. It’s cold.”</p> <p>We rushed inside and I slid the bolt tight behind us. Leaning against the door, I waited for my heart to slow. Dacia didn’t notice, carefully carrying the eggs to Cook.</p> <p>I had nothing to fear, I reassured myself, for there was nothing left to take and nowhere lower for me to go.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size">Excerpted from <em>A Dark and Wild Wood</em>, copyright © 2026 by Sarah Nicole Lemon.</p> <p>The post <a href="https://reactormag.com/excerpts-a-dark-and-wild-wood-by-sarah-nicole-lemon/">Read an Excerpt From &lt;i&gt;A Dark and Wild Wood&lt;/i&gt; by Sarah Nicole Lemon</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-a-dark-and-wild-wood-by-sarah-nicole-lemon/">https://reactormag.com/excerpts-a-dark-and-wild-wood-by-sarah-nicole-lemon/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846369">https://reactormag.com/?p=846369</a></p>
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Posted by Vanessa Armstrong

News Evil Dead Burn

Evil Dead Burn Release Date Revealed In New Teaser Clip

This clip makes your last visit to the in-laws look like a cakewalk

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Published on April 21, 2026

Screenshot: Warner Bros.

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/evil-dead-burn-release-date-teaser-trailer/">https://reactormag.com/evil-dead-burn-release-date-teaser-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846467">https://reactormag.com/?p=846467</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/evil-dead-burn/" class="inline-block link-no-animation" aria-label="Link to term or tag Evil Dead Burn 1"> Evil Dead Burn </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Evil Dead Burn</i> Release Date Revealed In New Teaser Clip</h2> <div class="prose post-hero-description prose--post-hero">This clip makes your last visit to the in-laws look like a cakewalk</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 21, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Warner Bros.</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/evil-dead-burn-release-date-teaser-trailer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 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6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://reactormag.com/feed/" target="_blank" title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 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15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="374" src="https://reactormag.com/wp-content/uploads/2026/04/Evil-Dead-Burn-740x374.png" class="w-full object-cover" alt="" srcset="https://reactormag.com/wp-content/uploads/2026/04/Evil-Dead-Burn-740x374.png 740w, https://reactormag.com/wp-content/uploads/2026/04/Evil-Dead-Burn-1100x556.png 1100w, https://reactormag.com/wp-content/uploads/2026/04/Evil-Dead-Burn-768x388.png 768w, https://reactormag.com/wp-content/uploads/2026/04/Evil-Dead-Burn.png 1262w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Warner Bros.</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>In-laws, am I right? At least that’s the premise of the latest film in Sam Raimi’s Evil Dead franchise. This one, titled <em><a href="https://reactormag.com/a-new-evil-dead-spinoff-is-in-the-works/">Evil Dead Burn</a>, </em>comes from director Sébastien Vaniček (<em>Infested</em>), who co-wrote the story with Raimi and Florent Bernard.</p> <p>Here’s the official synopsis of the film:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p><em>Evil Dead Burn</em> unleashes the franchise’s most savage and terrifying ride to date, blazing onto big screens with an all-new chapter of carnage and demonic mayhem. After the loss of her husband, a woman seeks solace with her in-laws in their secluded family home. As one by one they are transformed into Deadites—turning the gathering into a family reunion from hell—she comes to discover that the vows she took in life&#8230; live on even in death.</p></blockquote></figure> <p>The clip Warner Bros. and StudiocanalUK released today brings that conceit to graphic life. In it, poor Souheila Yacoub, who plays the woman in question, is trying to stay alive in a darkened mansion where her presumed in-laws are getting ripped apart, thrown, and crushed around her. It’s disturbing, stressful, and will likely make Evil Dead fans eager to see the full trailer, which Warner Bros. promises we’ll get soon.</p> <p>In addition to Yacoub, <em>Evil Dead Burn </em>stars Tandi Wright, Hunter Doohan, Luciane Buchanan, Errol Shand, Maude Davey, George Pullar, and Greta Van Den Brink. It’s set to premiere in theaters on July 10, 2026.</p> <p>Check out the extended clip below. [end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18433"/> </div></figure> <p>The post <a href="https://reactormag.com/evil-dead-burn-release-date-teaser-trailer/">&lt;i&gt;Evil Dead Burn&lt;/i&gt; Release Date Revealed In New Teaser Clip</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/evil-dead-burn-release-date-teaser-trailer/">https://reactormag.com/evil-dead-burn-release-date-teaser-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846467">https://reactormag.com/?p=846467</a></p>
[syndicated profile] tordotcom_feed

Posted by Molly Templeton

News Hugo Awards

Here Are the Finalists for the 2026 Hugo Awards

Congratulations to all!

By

Published on April 21, 2026

The Hugo Awards logo

LAcon V, the 84th World Science Fiction Convention (WorldCon), has announced the finalists for this year’s Hugo Awards. Members of the 2025 and 2026 WorldCons cast 1,488 nominating ballots for this year’s awards; organizers note that in total, “nominators made 23,543 nominations for 4,299 works and individuals across 21 categories.”

Members of LAcon V will be able to vote for the winners when the final ballot opens in May. The awards will be presented in Anaheim, California, on August 30, 2026.

Congratulations to the finalists!

Best Novel

  • A Drop of Corruption by Robert Jackson Bennett (Del Rey; Hodderscape)
  • Death of the Author by Nnedi Okorafor (William Morrow; Gollancz)
  • Shroud by Adrian Tchaikovsky (Tor UK; Orbit US)
  • The Everlasting by Alix E. Harrow (Tor US; Tor UK)
  • The Incandescent by Emily Tesh (Tor US; Orbit UK)
  • The Raven Scholar by Antonia Hodgson (Orbit US; Hodderscape)

1,153 ballots cast for 555 nominees. Finalists range 126-210.

Best Novella

  • Automatic Noodle by Annalee Newitz (Tordotcom)
  • Cinder House by Freya Marske (Tordotcom; Tor UK)
  • Murder by Memory by Olivia Waite (Tordotcom)
  • The River Has Roots by Amal El-Mohtar (Tordotcom; Arcadia UK)
  • The Summer War by Naomi Novik (Del Rey US; Del Rey UK)
  • What Stalks the Deep by T. Kingfisher (Nightfire; Titan UK)

807 ballots cast for 172 nominees. Finalists range 90-241.

Best Novelette

  • “Kaiju Agonistes” by Scott Lynch (Uncanny Magazine, Issue 62)
  • “Never Eaten Vegetables” by H.H. Pak (Clarkesworld, Issue 220)
  • “Rapport: Friendship, Solidarity, Communion, Empathy” by Martha Wells (Reactor, July 10, 2025)
  • “The Girl That My Mother Is Leaving Me For” by Cameron Reed (Reactor, April 2, 2025)
  • “The Millay Illusion” by Sarah Pinsker (Uncanny Magazine, Issue 67)
  • “When He Calls Your Name” by Catherynne M. Valente (Uncanny Magazine, Issue 65)

414 ballots cast for 144 nominees. Finalists range 36-64. 

Best Short Story

  • “10 Visions of the Future; or, Self-Care for the End of Days” by Samantha Mills (Uncanny Magazine, Issue 63)
  • “In My Country” by Thomas Ha (Clarkesworld, Issue 223)
  • “Laser Eyes Ain’t Everything” by Effie Seiberg (Diabolical Plots, May 16, 2025)
  • “Missing Helen” by Tia Tashiro (Clarkesworld, Issue 226)
  • “Six People to Revise You” by J.R. Dawson (Uncanny Magazine, Issue 62)
  • “Wire Mother” by Isabel J. Kim (Clarkesworld, Issue 229)

507 ballots cast for 549 nominees. Finalists range 26-60.

Best Series

  • Emily Wilde by Heather Fawcett (Del Rey US; Orbit UK)
  • October Daye by Seanan McGuire (Tor US; DAW)
  • Old Man’s War by John Scalzi (Tor US; Tor UK)
  • The Chronicles of Osreth by Katherine Addison (Tor US; Solaris UK; Subterranean)
  • The Craft Wars by Max Gladstone (Tor; Tordotcom)
  • White Space by Elizabeth Bear (Saga Press; Gollancz)

687 ballots cast for 185 nominees. Finalists range 52-136. 

Best Graphic Story or Comic

  • Absolute Wonder Woman Vol. 1: The Last Amazon, written by Kelly Thompson, art by Hayden Sherman and Mattia de Iulis, coloring by Jordie Bellaire, lettering by Becca Carey (DC Comics)
  • A Girl and Her Fed, written by KB Spangler, art by Ale Presser (www.agirlandherfed.com)
  • A Wizard of Earthsea: A Graphic Novel, written by Ursula K. Le Guin, adapted and illustrated by Fred Fordham (Clarion Books; Walker UK)
  • The Invisible Parade by Leigh Bardugo and John Picacio (Little, Brown Books for Young Readers; Orion UK)
  • The Power Fantasy Volume 1: The Superpowers, written by Kieron Gillen, art by Caspar Wijngaard, lettering by Clayton Cowles (Image Comics)
  • The Space Cat, written by Nnedi Okorafor, art by Tana Ford (First Second)

362 ballots cast for 243 nominees. Finalists range 19-42.

Best Related Work

  • Colourfields: Writing About Writing About Science Fiction by Paul Kincaid (Briardene Books)
  • Inventing the Renaissance by Ada Palmer (University of Chicago Press US, Head of Zeus UK)
  • Last War in Albion: “The Cuddled Little Vice (Sandman)” by Elizabeth Sandifer (Eruditorum Press)
  • Positive Obsession: The Life and Times of Octavia E. Butler by Susana M. Morris (Amistad)
  • “Ragnarök vs the Long Night” by Ashaya and Aziz (History of Westeros Podcast, August 10, 2025) 
  • The Hugo Spreadsheet of Doom, maintained by Renay (Google Spreadsheet)

479 ballots cast for 250 nominees. Finalists range 31-70.

Best Dramatic Presentation, Long Form

  • Andor (Season 2), written by Tom Bissell, Dan Gilroy, Tony Gilroy, and Beau Willimon, directed by Ariel Kleiman, Janus Metz, Alonso Ruizpalacios (Disney+)
  • Frankenstein, screenplay by Guillermo del Toro, directed by Guillermo del Toro (Netflix)
  • KPop Demon Hunters, screenplay by Danya Jimenez & Hannah McMechan, Maggie Kang and Chris Appelhans; directed by Maggie Kang and Chris Appelhans (Sony Pictures Animation for Netflix)
  • Mickey 17, screenplay by Bong Joon Ho, directed by Bong Joon Ho (Warner Bros. Pictures)
  • Sinners, screenplay by Ryan Coogler, directed by Ryan Coogler (Proximity Media, Warner Bros. Pictures)
  • Superman, screenplay by James Gunn, directed by James Gunn (DC Studios)

650 ballots cast for 149 nominees. Finalists range 85-313.

Best Dramatic Presentation, Short Form

  • Doctor Who: “The Story & the Engine,” written by Inua Ellams, directed by Makalla McPherson (BBC One, Disney +)
  • Murderbot: “All Systems Red,” written by Paul Weitz & Chris Weitz, directed by Roseanne Liang, based on the book All Systems Red by Martha Wells (Apple TV)
  • Murderbot: “The Perimeter,” written by Chris Weitz & Paul Weitz, directed by Paul Weitz, based on the book All Systems Red by Martha Wells (Apple TV)
  • Pluribus: “We Is Us,” written and directed by Vince Gilligan (Apple TV)
  • Severance: “Cold Harbor,” written by Dan Erickson, directed by Ben Stiller (Apple TV)
  • The Wheel of Time: “The Road to the Spear,” written by Rafe Lee Judkins, directed by Thomas Napper, based on the series The Wheel of Time by Robert Jordan (Amazon Prime Video)

471 ballots cast for 249 nominees. Finalists range 40-98.

Best Game or Interactive Work

  • Blue Prince, developed by Dogubomb, published by Raw Fury
  • Citizen Sleeper 2: Starward Vector, developed by Jump Over the Age, published by Fellow Traveller
  • Clair Obscur: Expedition 33, developed by Sandfall Interactive, published by Kepler Interactive
  • Dispatch, developed and published by AdHoc Studio
  • Hades II, developed and published by Supergiant Games
  • Hollow Knight: Silksong, developed and published by Team Cherry

357 ballots cast for 159 nominees. Finalists range 29-110. (924 raw noms)

Best Editor, Short Form

  • Scott H. Andrews
  • Jennifer Brozek
  • Neil Clarke
  • Lee Harris
  • Michael Damian Thomas
  • Sheila Williams

305 ballots cast for 128 nominees. Finalists range 30-84. 

Best Editor, Long Form

  • Carl Engle-Laird
  • Jaymee Goh
  • Lee Harris
  • Jenni Hill
  • Joe Monti
  • Diana M. Pho

234 ballots cast for 95 nominees. Finalists range 27-74.

Best Professional Artist

  • Lulu Chen
  • Kelly Chong
  • Dave Kellett
  • Tran Nguyen
  • John Picacio
  • Tom Roberts 

228 ballots cast for 220 nominees. Finalists range 10-28.

Best Semiprozine

  • Escape Pod, editors Mur Lafferty and Valerie Valdes, assistant editors Kevin Wabaunsee and Phoebe Barton, hosts Tina Connolly and Alasdair Stuart, producers Summer Brooks and Adam Pracht, and the entire Escape Pod team
  • khōréō magazine, by team khōréō (publisher Aleksandra Hill; editor-in-chief Zhui Ning Chang; editors Kanika Agrawal, Isabella Kestermann, Danai Christopoulou; audio Lian Xia Rose, Jenelle DeCosta, Grayson Norman, Aaron Kling, E.B.; marketing M.L. Krishnan, Ashley Thompson; art Ambi Sun; copyeditors Jeané Ridges, Eleanor Glewwe, Derek Yen, Ariya Bandy; proofreader Cyrus Chin; first readers Adialyz Del Valle Berríos, Sanjna Bhartiya, Kelsey Costa, Merulai Femi, A.R. Frederiksen, Yuvashri Harish, Zohar Jacobs, Lynn D. Jung, Phoebe Low, Katie McIvor, Adil Mian, Katarzyna Nowacka, A.W. Prihandita, Helena Ramsaroop, Jin Hui Saw, Aditya Sundararajan, Sophia Uy, Madeleine Vigneron, Aaron Voigt, K.S. Walker, Akilah White, MJ Woods, Kelsea Yu, Lilia Zhang, Tina Zhu)
  • On Spec: The Canadian Magazine of the Fantastic, published by the Copper Pig Writers’ Society; managing editor/art director Diane L. Walton; poetry editors Colleen Anderson and Bob Stallworthy; fiction editors Barb Galler-Smith, Ann Marston, Virginia O’Dine, Constantine Kaoukakis, Susan MacGregor, Alyssa Kulchisky, Amanda Wells, Ashley Alton, Lorina Stephens, Lareina Abbott, Matthew Stobie Jackman, Cheryl Merkel, Dan Gyoba, Ethan Zou, Jade Mah-Vierling, Jessica Zdril, Kathleen Phul, Krystle McGrath, Thomas Schwarz, and William Thompson; interviewers Roberta Laurie and Cat McDonald; proofreaders Ashlin McCartney, Isaac Calon, and Mya Colwell
  • Strange Horizons, by the Strange Horizons Editorial Collective
  • The Deadlands, publisher Sean Markey, editor-in-chief E. Catherine Tobler, poetry editor Nicasio Andres Reed, nonfiction editor David Gilmore, necromancer Amanda Downum, art director Cory Skerry, copy editors Laura Blackwell and Annika Barranti Klein, proofreader Josephine Stewart, designer Christine M. Scott, and social media skeleton Felicia Martínez
  • Uncanny Magazine, publisher and editor-in-chief: Michael Damian Thomas; managing editor Monte Lin; poetry editor Betsy Aoki, podcast producers Erika Ensign and Steven Schapansky

324 ballots cast for 93 nominees. Finalists range 34-100.

Best Fanzine

  • Ancillary Review of Books, editors Jake Casella Brookins, Misha Grifka Wander, Bianca Skrinyár, Zachary Gillan, Cynthia Zhang, Lyz Bush-Peel
  • An Unofficial Hugo Book Club Blog, editors Olav Rokne and Amanda Wakaruk
  • Galactic Journey, founder Gideon Marcus, editor Janice L. Newman, staff David Levinson, Jessica Dickinson Goodman, Tam Phan, Andi Dukleth
  • Intergalactic Mixtape, edited by Renay
  • Journey Planet, edited by Allison Hartman Adams, Jean Martin, Steven H Silver, Christopher J. Garcia, James Bacon
  • nerds of a feather, flock together, editors Roseanna Pendlebury, Arturo Serrano, Paul Weimer; senior editors Joe Sherry, G. Brown, Vance Kotrla

224 ballots cast for 61 nominees. Finalists range 33-66. 

Best Fancast

  • A Meal of Thorns, presented by Jake Casella Brookins
  • Eating the Fantastic, hosted by Scott Edelman
  • Hugo, Girl!, presented by Haley Zapal, Amy Salley, Lori Anderson, and Kevin Anderson
  • Octothorpe, presented by John Coxon, Alison Scott, and Liz Batty
  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Worldbuilding for Masochists, presented by Marshall Ryan Maresca, Cass Morris, and Natania Barron

370 ballots cast for 198 nominees. Finalists range 31-69.

Best Fan Writer

  • Jay Brantner for “Tar Vol”
  • Alex Brown
  • James Davis Nicoll
  • Roseanna Pendlebury
  • Jason Sanford 
  • Örjan Westin

308 ballots cast for 158 nominees. Finalists range 22-54. 

Best Fan Artist

  • Terri Ash
  • Geneva Bowers
  • Sara Felix
  • Richard Man
  • España Sheriff
  • Yuumei

176 ballots cast for 137 nominees. Finalists range 12-22.

Best Poem 

  • “Care for Lightning” by Mari Ness (Uncanny Magazine, Issue 62)
  • “Hex Supply Customer Support Log” by Elis Montgomery (Strange Horizons, Issue 25 August 2025)
  • “How to Become a Sea Witch” by Theodora Goss (The Orange & Bee, Issue 5)
  • “Landing: Seattle” by Brandon O’Brien (Seattle Worldcon 2025 Opening Ceremony)
  • “The Mourning Robot” by Angela Liu (Uncanny Magazine, Issue 66) 
  • “The World to Come” by Jennifer Hudak (Strange Horizons, Issue 22 December 2025)

202 ballots cast for 229 nominees. Finalists range 12-35.

Lodestar Award for Best Young Adult Book

  • Among Ghosts by Rachel Hartman (Random House Books for Young Readers)
  • Coffeeshop in an Alternate Universe by C.B. Lee (Feiwel & Friends)
  • Holy Terrors by Margaret Owen (Henry Holt; Hodderscape UK)
  • Oathbound by Tracy Deonn (Simon & Schuster Books for Young Readers)
  • Sunrise on the Reaping by Suzanne Collins (Scholastic Press)
  • They Bloom at Night by Trang Thanh Tran (Bloomsbury US; Bloomsbury UK)

244 ballots cast for 169 nominees. Finalists range 12-48.

Astounding Award for Best New Writer (sponsored by Dell Magazines)

  • Sophie Burnham (2nd year of eligibility)
  • Kamilah Cole (2nd year of eligibility)
  • Antonia Hodgson (1st year of eligibility)
  • Molly O’Neill (1st year of eligibility)
  • H.H. Pak (2nd year of eligibility)
  • Jared Pechaček (2nd year of eligibility)

290 ballots cast for 156 nominees. Finalists range 17-76.

Disqualifications and Withdrawals

The following nominees received enough votes to qualify for the final ballot, but were found to be ineligible:

Best Series: 

  • Lady Astronaut, by Mary Robinette Kowal (fewer than 240,000 new words since last appearance on the ballot)
  • The Singing Hills Cycle, by Nghi Vo (fewer than 240,000 words in total)

Astounding Award:

  • Silvia Park (had qualifying publication prior to 2024)
  • Barbara Truelove (had qualifying publication prior to 2024)

The following nominees received enough votes to qualify for the final ballot, but declined nominations:

  • Best Editor, Long Form: Lindsey Hall
  • Best Semiprozine: Beneath Ceaseless Skies

The following nominee received enough votes to qualify for the final ballot, but was withdrawn by the showrunners to abide by the limitation on number of episodes of the same show allowed in the category.

  • Best Dramatic Presentation, Short Form: Murderbot: “Free Commerce”

[end-mark]

The post Here Are the Finalists for the 2026 Hugo Awards appeared first on Reactor.

Code-mixed headline

Apr. 21st, 2026 06:40 pm
[syndicated profile] languagelog_feed

Posted by Mark Liberman

A note from Ambarish S.:

There’s an ongoing controversy in India with Prime Minister Modi being accused of blackface during an election campaign in the south, where people have darker skin on average. The Alert (a Hindi news website of unknown reputation) had the following Hindi sentence on it’s X:

तमिलनाडु रैली में मोदी जी का लुक वायरल!

where only the postpositions (में and का) and arguably the honorific जी are Hindi! तमिलनाडु and मोदी are proper nouns, while रैली, लुक and वायरल are respectively “rally", “look" and "viral”. The whole thing translates to “Modi Ji’s look at Tamil Nadu rally viral”.

The post:

Devanagari to Latin characters, courtesy of Google Translate:

तमिलनाडु रैली में मोदी जी का लुक वायरल!
tamilanaadu railee mein modee jee ka luk vaayaral!

Some trad media coverage via Google News.

Mixing Hindi into English is called "chutnefying" — what's the right word for mixing English into Hindi? Or is it the same thing, just written in a different character set?

[syndicated profile] tordotcom_feed

Posted by Molly Templeton

News Silo

Some Silo Secrets May Finally Be Explained When Season 3 Premieres in July

We do not know why we are here. We do not know who built the silo. But we might, soon!

By

Published on April 21, 2026

Photo: Apple TV

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/silo-season-3-teaser-release-date/">https://reactormag.com/silo-season-3-teaser-release-date/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846447">https://reactormag.com/?p=846447</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/silo/" class="inline-block link-no-animation" aria-label="Link to term or tag Silo 1"> Silo </a> </span> </div> <h2 class="post-hero-title text-h1">Some <i>Silo</i> Secrets May Finally Be Explained When Season 3 Premieres in July</h2> <div class="prose post-hero-description prose--post-hero">We do not know why we are here. We do not know who built the silo. But we might, soon!</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 21, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: Apple TV</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/silo-season-3-teaser-release-date/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 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class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="416" src="https://reactormag.com/wp-content/uploads/2026/04/Silo-740x416.jpg" class="w-full object-cover" alt="Still from the Apple TV show Silo Season 3" srcset="https://reactormag.com/wp-content/uploads/2026/04/Silo-740x416.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/Silo-1100x619.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/Silo-768x432.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/Silo-1536x864.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/Silo.jpg 1920w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: Apple TV</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We have to go back! To the silo, I mean. (Not the island.) To be more specific, we have to go back to the beginning of <em>Silo</em>—to find out where it all began.</p> <p>And by “it,” of course, I mean the network of underground silos that, to all appearances, hold what’s left of humanity after some kind of disaster befell the surface of the planet. This being <em>Silo</em>, though, it seems quite likely that history is not exactly as it has been told.</p> <p><em>Silo</em> is based on Hugh Howey’s novel series of the same name, and stars Rebecca Ferguson as an engineer who stumbles into a whole string of trouble when her boyfriend dies under dubious circumstances. In <a href="https://reactormag.com/silos-production-designer-on-concrete-silo-17-creating-the-look-for-season-2s-final-scene/" target="_blank" rel="noreferrer noopener">the second season</a>, she survives being sent outside to “clean”—generally a death sentence—and finds other survivors in a second silo. Back at home, rebellion arises under the rule of extremely morally dubious Mayor Bernard Holland (Tim Robbins).</p> <p>According to Apple TV, “Season three of <em>Silo</em> continues the saga of a dystopian society of 10,000 people living underground under mysterious circumstances, while revealing an origin story set centuries earlier.”</p> <p>Their synopsis continues:</p> <figure class="wp-block-pullquote"><blockquote><p>In the present, Juliette Nichols (Ferguson) survives her forced “cleaning” but returns with memory loss as the silo recovers from rebellion and faces a dangerous new threat. Meanwhile, in the “Before Times,” journalist Helen Drew (Jessica Henwick) and Congressman Daniel Keene (Ashley Zukerman) uncover a conspiracy that pulls them into a chain of events with catastrophic, irreversible consequences.</p></blockquote></figure> <p>(There is something very funny about putting “Before Times” in quotes and giving the term Capital Letters. Just call it the before times! We all know what that means.)</p> <p><em>Silo</em>’s excellent cast also includes returning stars Common, Harriet Walter, Steve Zahn, Chinaza Uche, Avi Nash, Alexandria Riley, Shane McRae, Remmie Milner, Rick Gomez, Billy Postlethwaite, and Clare Perkins. Along with Henwick (<em>Iron Fist</em>) and Zukerman (<em>Succession</em>), the new kids on the <em>Silo</em> block include Laura Innes, Jessica Brown Findlay, Morven Christie, Reed Birney, Matt Craven, and Colin Hanks.</p> <p><em>Silo</em> has already been renewed for a fourth and final season, so we don’t have to worry about never getting answers. Whether they will satisfy remains to be seen. <em>Silo</em>’s third season premieres July 3 on Apple TV, where you can watch the first two seasons at your leisure.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18432"/> </div></figure> <p>The post <a href="https://reactormag.com/silo-season-3-teaser-release-date/">Some &lt;i&gt;Silo&lt;/i&gt; Secrets May Finally Be Explained When Season 3 Premieres in July</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/silo-season-3-teaser-release-date/">https://reactormag.com/silo-season-3-teaser-release-date/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846447">https://reactormag.com/?p=846447</a></p>
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Posted by Stefan Raets

Books The Wheel of Time

Reading The Wheel of Time: Egwene Wears Green (Metaphorically) in The Gathering Storm (Part 23)

Finally, an answer to the Verin question…

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Published on April 21, 2026

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-egwene-wears-green-metaphorically-in-the-gathering-storm-part-23/">https://reactormag.com/reading-the-wheel-of-time-egwene-wears-green-metaphorically-in-the-gathering-storm-part-23/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846263">https://reactormag.com/?p=846263</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-wheel-of-time/" class="inline-block link-no-animation" aria-label="Link to term or tag The Wheel of Time 1"> The Wheel of Time </a> </span> </div> <h2 class="post-hero-title text-h1">Reading The Wheel of Time: Egwene Wears Green (Metaphorically) in <i>The Gathering Storm</i> (Part 23)</h2> <div class="prose post-hero-description prose--post-hero">Finally, an answer to the Verin question…</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/kjbarrett/" title="Posts by Sylas K Barrett" class="author url fn" rel="author">Sylas K Barrett</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 21, 2026 </p> </div> </div> <div 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clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 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12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-740x407.png" class="w-full object-cover" alt="Reading The Wheel of Time on Tor.com: The Gathering Storm" srcset="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-740x407.png 740w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-768x422.png 768w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12.png 951w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Welcome back to Reading The Wheel of Time! This week we are covering chapters 38 and 39, in which things start to happen for Egwene and Verin’s secret is finally revealed. I’m so excited to get into it, so without further ado, let’s get recapping!</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Sitting with Egwene in <em>Tel’aran’rhiod</em>, Siuan tries again to convince the Amyrlin to let them rescue her. Egwene finally agrees to sanction a rescue attempt if Elaida sentences her to death—though she insists that her own death by execution would still be a victory. She is also concerned about the ongoing fight for power in the rebel camp, urging Siuan to do whatever she can to keep the Aes Sedai together.</p> <p>Siuan tells Egwene about Gawyn’s arrival in the camp, and Egwene reacts with forced casualness, although she is not successful in fooling Siuan. Siuan doesn’t know exactly what the young man wants, but mentions that he has been meeting with Lelaine and Romanda. </p> <p>When asked, Egwene admits that her cell is too small to stand up or lie down flat in, and declares that once she is restored to her proper place, she will have this and any other such cells filled in. It occurs to her that what she is experiencing is very similar to what Rand went through, only in his case the box was even smaller than her cell, and he had no reprieve of visiting the World of Dreams, and no sustaining belief that his beatings meant something.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Regardless,” Egwene said, “I have <em>Tel’aran’rhiod</em>. During the days, my body is captive, but my soul is free at night. And each day I endure is another proof that Elaida’s will is not law. She cannot break me. Her support from the others is eroding. Trust me.”</p></blockquote></figure> <p>Once Siuan has left the Dream, Egwene finds herself reluctant to return to ordinary sleep. She moves to the <em>Tel’aran’rhiod</em> version of the rebel camp, observing the way the tents are grouped and how they suggest the lines of division that are beginning to form among the Salidar Aes Sedai. Next she finds herself in a Tinkers camp, reminiscing about the time she and Perrin spent traveling with a band of Tinkers. She remembers flirting with Aram, and wonders where he, Raen, and Ila are now. She imagines that they must be in a camp like this one, hiding away from the coming Last Battle and continuing to dance.</p> <p>Finally she travels to Tar Valon, finding herself standing beneath the shadow of the White Tower while a stormy sky boils above it. She wonders if she is seeing an omen, and whether it is time to let the Tower fall. But she decides to wait a few more days.</p> <p>Waking in her cell, Egwene does her best to stretch her body within the limited confines of her cell, reminding herself that she wants to be here, and could escape any time. This helps her stave off the panic of being enclosed in such a small space. Around noon she is dragged from her cell for her daily beating, which is considered a reward for the two Reds who have to stay and maintain her shield. But before the beating can begin, they are interrupted by Katerine, who informs Egwene and the two Reds that Elaida has decided that Silviana, as Mistress of Novices, is partly responsible for this particular novice being out of line, and that Egwene is to be returned to her rooms and placed under the authority of the new Mistress of Novices, Katerine herself, now that Silviana has been removed from the position.</p> <p>As her two guards take her back to her room in the novice quarters, Saerin appears, and after successfully staring down the Red sisters, walks beside Egwene and fills her in on what has been happening. Egwene learns that she was released not because Elaida suddenly came to a decision, but because Silviana came before the entire Hall and formally condemned Elaida’s actions, calling them unlawful and demanding Egwene’s release, as well as the removal of Elaida as Amyrlin. Elaida ordered Silviana to put on the dress of a novice; when Silviana refused, Elaida sentenced her to stilling and execution.</p> <p>Egwene exclaims at once that the action must be prevented, and orders Saerin to go to the Hall and attempt to stop it. As the Brown Sitter hurries off, Egwene asks her two guards, Barasine and another sister whose name Egwene doesn’t know, if they want to go find out what happened. She sends a nearby novice to fetch some forkroot from the kitchens. Once she has drunk it, Egwene is left alone.</p> <p>She goes to her room to clean up, where she is surprised to find Verin sitting on Egwene’s bed drinking tea. Egwene is dismissive of Verin’s presence until the Brown sister remarks that Egwene’s dress is green. At first, Egwene assumes that Verin can lie because she has had the oaths removed, but realizes that she has never fully trusted Verin. Verin confirms that this is a wise impulse, as she is Black Ajah.</p> <p>Verin rambles on about how good the tea is and how Laras is an impressive woman, then begins to compliment Egwene on her work trying to reunite the Tower. Verin herself has avoided getting involved, deeming it more important to continue her research and to keep an eye on Rand. She remarks that she doesn’t believe that Rand understands how the Great Lord really works, and that not all evil is as obvious as the Chosen.</p> <p>She compares the Chosen to children who are all fighting for their father’s attention, and muses that of all the qualities that the Great Lord wants in his leaders, selfishness might be the most important.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“It makes them predictable. A tool you can depend upon to act as expected is far more valuable than one you cannot understand. Or perhaps because when they struggle against one another, it makes only the strong ones survive. I don’t know, honestly. The Chosen are predictable, but the Great Lord is anything but. Even after decades of study, I can’t be certain exactly what he wants or why he wants it. I only know that this battle isn’t being fought the way that al’Thor assumes it will be.”</p></blockquote></figure> <p>When she returns the conversation to Egwene’s achievement in infiltrating Elaida’s regime and turning the Hall against her, Verin’s rambling, absent-minded attitude falls away, and she takes on an intensity so strong that Egwene wonders if this is the same woman she knows. She explains that, many years ago, she “found [herself] in a position where” she had to either swear oaths to the Dark One or admit that she never had any intention of doing so, in which case she would have been executed. She decided to swear, in order to study the Dark from the inside, and in order to save her own life.</p> <p>She admits that Tomas is also a Darkfriend. He was looking for a way out, and while Verin couldn’t offer exactly that, she did offer him a way out. She also admits that she and Tomas have both taken poison. Verin’s is in the tea she is currently drinking.</p> <p>Verin explains that the oaths one takes to the Dark One are quite specific—and for channelers, also quite binding. She quotes them for Egwene: “I swear not to betray the Great Lord, to keep my secrets until the hour of my death.”</p> <p>Egwene sees the loophole at once, and Verin wonders why the Dark One would leave such a loophole in his oaths of loyalty. Egwene theorizes that he doesn’t see suicide as a threat; Darkfriends are far too self-centered to choose to end their own lives just to betray the Dark.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Every woman in the Brown,” Verin said, “seeks to produce something lasting. Research or study that will be meaningful. Others often accuse us of ignoring the world around us. They think we only look backward. Well, that is inaccurate. If we are distracted, it is because we look forward, toward those who will come. And the information, the knowledge we gather… we leave it for them. The other Ajahs worry about making today better; we yearn to make tomorrow better.”</p></blockquote></figure> <p>She presents Egwene with two books, one of which explains the cipher she used to write the other. The second is a collection of everything she learned about the Dark—their leaders, their prophecies, their goals and motivations. She also has a list of Black Ajah members that she believes is nearly complete, though there are probably a few she didn’t catch. Egwene is astounded at this treasure, and deeply moved by what she imagines of Verin’s life as a spy among the Black.</p> <p>Verin points out that the Black has many spies, and it was time the Light had one among them. She shows Egwene how the two books can be fit together with the attached bookmarks to cause both to become invisible, thanks to a weave she discovered from the Age of Legends.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“I will admit that the poison was a backup plan,” Verin said. “I am not eager for death; there are still things I need to do. Fortunately, I have set several of them in motion to be… seen to, in case I do not return. Regardless, my first plan was to find the Oath Rod, then see if I could use it to remove the Great Lord’s oaths. The Oath Rod appears to have gone missing, unfortunately.”</p></blockquote></figure> <p>Egwene realizes that Saerin and the others must have taken it again, though she doesn’t tell Verin this. Verin adds that removing the oaths might not have worked anyway. She also tells Egwene that she knows that one of the Forsaken, Mesaana, is in the Tower, but that she was unable to discover who the Forsaken is disguised as. She urges Egwene to be careful how she uses the information, and where she strikes. She is confident that Egwene will be Amyrlin, and remarks that the Amyrlin should always be well armed with knowledge. Egwene thanks Verin for the trust she has placed in her.</p> <p>As Verin lies back on the bed, she asks Egwene to tell everyone that, though her name may always be associated with the Black, that her soul was Brown. Egwene promises to do so, but she also tells Verin that her soul is not Brown, but a pure white, “like the Light itself.”</p> <p>Egwene holds Verin’s hand until she dies, then checks to make sure she is actually dead, just to be sure this isn’t some trick. Just then, Turese, one of the Reds, opens the door and looks in. Egwene explains Verin’s presence, using Aes Sedai misdirection to avoid outright lying, insinuating that Verin lay down to rest, exhausted from her travels. Turese instructs Egwene not to disturb Verin.</p> <p>Once Turese has gone, Egwene repositions Verin to make the ruse more effective, then sits down to look at the books. She begins by looking through the names of all the Black sisters. Katerine and Galina’s names in particular catch her attention, and she is shocked and upset when she sees Sheriam’s. It’s discomfiting to read the list of names, and see the numbers of Black among every Ajah, a little over two hundred in total. She is relieved, at least, to see that Cadsuane is not on the list, and neither are any of Egwene’s closest confidants. Elaida’s name also isn’t there; Verin assumes that Elaida was being manipulated by Alviarin and Galina.</p> <p>When Meidani eventually comes to see her, she notices that Verin is dead. Egwene explains that Verin was poisoned by a Darkfriend and, aware of the poison, she came to pass on important information to Egwene. Meidani recovers from her shock with an effort, and reports that Elaida is still Amyrlin, but only by a hair. She was roundly censured by the Hall for acting like an absolute ruler and has been given penance. Silviana is still imprisoned, and there is talk of issuing penance to her, as well.</p> <p>Egwene tells Meidani to go to the others and to inform them that Alviarin is Black Ajah. She instructs them to capture Alviarin and test her using the Oath Rod. She also tells Medani to take Verin with her, as it will look much less suspicious if Verin vanishes than if she is found dead in Egwene’s room. She also has Meidani take the cup of poisoned tea.</p> <p>Once Meidani is gone with Verin’s body, Egwene lays down on her bed and goes to sleep, waking in <em>Tel’aran’rhiod</em>. She has to wait for a little while in the appointed meeting place, but as soon as Siuan arrives Egwene warns her that Sheriam and Moria are Black Ajah. Siuan is baffled and disbelieving as Egwene warns her to watch them until they can be taken prisoner.</p> <p>Egwene is about to explain the change in her circumstances when suddenly she feels herself being pulled out of the World of Dreams. She wakes to find herself being shaken awake by a panicked Nicola. As the Tower shakes and Nicola babbles about flying Shadowspawn and the Last Battle, Egwene realizes that it isn’t the Last Battle but something almost as bad. The Seanchan attack has begun.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>And so, we finally learn the answer to the mystery of Verin Mathwin, and I, for one, am quite satisfied with it. I’m also a little surprised at myself for never considering the possibility that Verin might be a double agent. The reveal perfectly explains her actions and contradictions, and the strange vibes that we get from her—where she usually seems to be acting for the good, and yet comes off as untrustworthy all the same.</p> <p>Like when she used a form of Compulsion on the captive Aes Sedai to convince them to swear to Rand, for example. It is not impossible for a sister to violate Tower Law, of course, so technically any ordinary sister could have done what Verin did. Just as we saw Moiraine use balefire. However, there is something particularly dark about Compulsion, even in comparison to another forbidden weave like balefire, and seeing Verin use it so intently on so many women did feel a bit questionable, even if they were women who were party to Galina’s torture of Rand. As we are seeing with Rand himself, the idea of “the ends justify the means” can be employed by anyone, but it tends to lead towards a dark place. Balefire is physically dangerous to the world, but Compulsion, even Verin’s cobbled-together Compulsion Lite, is <em>morally</em> dangerous.</p> <p>The fact that Verin was considering poisoning Cadsuane is another moment where she felt more Dark. Reading that scene, I found myself considering that she might actually be Black Ajah and was trying to sabotage Rand’s success by removing an important and knowledgeable advisor. But the moment was from her POV, and I couldn’t find a way to spin Verin’s conclusion—that Cadsuane is actually trying to help Rand—and the subsequent decision <em>not</em> to poison her, in a way that would point to the motivations of a Darkfriend. And after all, though murder is always morally questionable, there is technically nothing preventing an Aes Sedai from murdering someone, as long as they don’t try to do it with the One Power.</p> <p>If anything, Verin has always seemed like she was acting entirely from her own motivations, neither directed by the Dark or by the White Tower. Which I suppose she was, in a way. Verin’s desire to study the Dark and to record as much useful information as she could puts her on the side of Good, but it is an independent project that no one in the world (except maybe Tomas) knew about; she seems to have made her own choices, motivated solely by her own desires, in service of the search for knowledge. She obeys the White Tower as much as she needs to but mostly avoids oversight by being a Brown. She obeys the Dark because she has to, all the while working against them as she studies their methods and records the names of their operatives. She does many awful and terrible things, things she does not believe she can be forgiven for, and yet she believes that what she has been able to achieve was worth such a sacrifice. To borrow from the D&amp;D alignment chart for a moment, I might classify her as truly neutral—neither lawful nor chaotic, neither Good nor Evil. Except for the fact that her love for and search for knowledge is based not solely in knowledge for its own sake, but in care for the world. This drive, as Egwene points out, makes Verin truly Good after all.</p> <p>I appreciated that Egwene noted the same dichotomy in Verin that I felt as a reader. Even when Verin proves that she can lie, Egwene assumes that Verin either never swore the oaths, just as Egwene herself hasn’t, or has had them removed, which she knows is possible because of the activity of the Black Ajah hunters. This shows that she has some instinctive sense that Verin is not evil, since in many ways it would make more sense to assume a lying Aes Sedai is Black Ajah before coming up with some other way she could have escaped the oaths. But at the same time, Egwene is also aware that she never fully trusted Verin, which Verin herself remarks is probably wise.</p> <p>Verin is very circumspect in the way she describes her decision to swear allegiance to the Dark One. Her use of the passive voice when she says “I found myself in a position” feels a little telling, but it is also true that she specifies that she never wanted or intended to swear to the Dark. This seems to imply that she was researching the Dark, or at least looking into the Black Ajah, and got caught. In order not to be killed, and to continue her work, she pretended she was snooping because she wanted to join, and swore allegiance to the Dark One. But there is probably a lot more to the story we will never know.</p> <p>Interestingly, Verin also notes that the Dark Oaths are quite binding <em>for channelers</em>. This of course refers to the use of the Oath Rod on the Black Ajah, and I think it’s really fascinating that even as Darkfriends, the Aes Sedai are expected to be bound by the Oath Rod in order to be trusted. But this also implies that swearing to the Dark One is not as binding on ordinary people, which touches on my ongoing question about whether or not someone who has dedicated themselves to the Dark can return to the Light to the point where their soul is no longer in danger of going to the Dark One when they die.</p> <p>Like Ingtar, Verin was only able to manage to return to the Light by choosing death as a means of redemption, and since she revealed that Tomas also took poison, we have only ever seen Darkfriends turn back to the Light in this way. Granted, Verin had hoped she could remove her oaths to the Dark One using the Oath rod.She may very well have been able to do so, as we’ve seen other Darkfriend channelers like Amico, or Asmodean, be released from the physical restraints on their obedience to the Dark One and act against him. However, neither that situation nor the death of characters like Verin or Ingtar tells us what happens to someone’s soul in this case. Asmodean seemed to believe he would still return to the Dark One’s clutches if he died, and the Dark One’s insinuation that he can’t resurrect Asmodean because he died by balefire seems to confirm this belief as accurate—though there is always a chance the Dark One is lying, or at least not admitting that Asmodean might have been beyond his reach for other reasons. If a member of the Chosen was ever to slip out of the Dark One’s grasp, he certainly would never admit it.</p> <p>Not that I think Asmodean, who turned to the Dark because he wanted to be famous forever and who only sided with Rand out of a bid for self-preservation, had returned to the Light in any meaningful way. I’m just wondering if it would be possible, if his heart had actually been in it. There is the oath taken at Shayol Ghul to consider, after all. In that place, reality can be altered and souls can be trapped in alarming ways. I kind of doubt anyone can escape the Dark One once they have sworn at Shayol Ghul itself. But I digress.&nbsp;</p> <p>Only the Chosen swear at Shayol Ghul, though, so ostensibly the only thing keeping an ordinary Black Sister more bound to the Dark One than an ordinary non-channeling Darkfriend would seem to be the Oath Rod. I’m guessing Tomas killed himself not to escape oaths or pass on secrets, but because he has a family. We have seen what happens to the families of Darkfriends who betray the Dark or fail to carry out orders. The only way for Tomas to protect his family would be to die himself.</p> <p>I assume that is why Tomas was “looking for a way out” in the first place. He couldn’t just foreswear the Dark or run off, because his family would have been in danger. Verin couldn’t protect them, but she could offer him a way to be Good again, by working with her.</p> <p>When you get right down to it, Verin might be the cleverest person in the entire series. Though technically not bound by the Three Oaths, she would have been forced to follow them often, in order to not be found out as Black, while at the same time she was bound by her oaths to the Dark One while secretly working against him. It’s easy to imagine how much maneuvering and planning and clever Aes Sedai wordplay she would have had to do to maintain both of her covers, all the while carrying out, or at least seeming to carry out, the orders she was given by her superiors both in the White Tower and in the Black Ajah.</p> <p>Verin’s comment that he doesn’t understand the Dark One or how the battle is actually being fought struck me as a <em>very</em> important clue to where Rand’s character arc is leading us to. This is something I have been working on for a separate essay, so for now I will only say that as Rand becomes harder and colder, as he focuses entirely on winning a physical battle at any cost, I have been thinking more and more about how all Rand’s initial confrontations with the Dark One—or rather, with Ba’alzamon masquerading as the Dark One—were about trying to corrupt and recruit Rand to serve the Dark. Many times throughout the series, both those who walk in the Light and the servants of the Dark have considered that all the Dark One needs to do to win the Last Battle is to kill Rand… and yet the Dark One has continually forbidden his followers to do this. It seems clear that he needs Rand for something, and that it has to be in service to the Dark One’s only true, knowable goal: to break free from his prison. </p> <p>The Dark One doesn’t work the way people think he does. This is no doubt in part because he would intentionally obscure his motivations to manipulate people into serving him as he desires. But also, he is a being so far outside of normal creation that I don’t believe he could be fully fathomable to a human being. Not a living one, anyway. And Verin observes what I have always thought and written about the Forsaken: that they foolishly think they know what the Dark One’s intentions are, and that his promises to them are true. In her time studying the Dark, Verin has realized that the Forsaken are so petty and so self-focused that it actually makes them kind of stupid, even though most of them seem to have high intelligence in other areas. The idea that the Dark One specifically looks for selfishness in his leaders because it makes them predictable and easy to control is one I have had often, and I maintain my belief that the Dark One has no intention of keeping any of them around if he is successful in breaking free of his prison. The title of Nae&#8217;blis is, in my opinion, an empty promise. It’s just a carrot the Dark One can use to motivate his most powerful followers, a sparkly jewel he can dangle in front of them, distracting them from seeing the truth.</p> <p>Though I do wonder how Ishamael/Moridin views the Dark One. His perspective has always been somewhat different from the others, and his relationship to the Dark One is different, too. After all, we have seen the Dark One punish his lieutenants for their failures, and for getting themselves killed. Ishamael’s death was certainly that… and yet he seems to have been rewarded, given a young, hot new body and made Nae’blis. Of course, we don’t know what kind of suffering he experienced before he turned up in the narrative against as Moridin, but even if he was punished, he’s still back in a position of power pretty quickly.</p> <p>Speaking of Rand, I’ve been observing for some time how Egwene’s journey to becoming Amyrlin has been paralleling much of Rand’s journey, and although it feels a bit obvious, Egwene’s realization that her time in the too-small cell is much like Rand’s time in the box does fit with those parallels. It also shows the difference between them: Egwene feels like her position, her identity, is a choice she believes in, whereas Rand feels like his is a trap he was born into, a burden thrown upon his shoulders without his consent.</p> <p>One could argue that Egwene had very little agency in becoming the Amyrlin; she was elected as a political move, intended to be a symbol and a figurehead. But she did have a choice. She could have refused the summons to leave the Aiel and return to Salidar, giving up her bid to become Aes Sedai for the life of a Wise One. Once in Salidar she was under enormous pressure to accept the role she was asked to fill, but she could have said no. Once elected, she could have allowed herself to be used as the rebel Hall intended, content to be what she was asked to be and no more. I’m sure from Egwene’s point of view she would consider these options no choice at all, but that is because of her desire to be Aes Sedai and her love for the White Tower.</p> <p>Rand, on the other hand, was born into the identity of the Dragon; he never had a chance to feel like it was something he chose. He lacks the sense of agency Egwene has: Just as her beatings have meaning for her, while his had none for him, her identity has meaning for her. She chose to take up the metaphorical sword; she chose the heavy burden of being the Amyrlin Seat. Refusal would have meant disaster, which makes the responsibility especially heavy, but she could have refused. Rand can’t.</p> <p>Except, Rand can, of course. Technically there was nothing stopping him from running away and hiding, or turning to the Dark as Ishamael prodded him to do, or even from killing himself. He didn’t do any of these things because he believed that such a choice would doom the world forever, and he couldn’t allow that. However, unlike Egwene, he doesn’t credit himself with that choice. He doesn’t take pride or find sustenance in the fact that he has continued to refuse to back down, no matter how he suffers, no matter how impossible his task feels. Where Egwene has found meaning and encouragement in her own resilience, Rand has increasingly dwelt on the fact that being the Dragon Reborn is something terrible that is happening to him. Which is true, to an extent. But I think this shows exactly what perspective can do for a person. And to a person.</p> <p>Perhaps that is why chapter 38 includes Egwene stumbling upon the Tinker camp in <em>Tel’aran’rhiod</em>. It was pretty painful when she was reminiscing about Ila, Raen, and Aram, and assuming they were safely camped somewhere, hoping to wait out the Last Battle far from harm. But even more striking, for me at least, was when she wondered if the Tinkers were still dancing, as they had when she and Perrin stayed with them, given everything that is going on in the world.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>That had been a simpler time; though the Tinkers always seemed able to make a simpler time for themselves.<br><br>Yes, this group would still dance. They would dance right up until the day when the Pattern burned away, whether or not they found their song, whether or not Trollocs ravaged the world or the Dragon Reborn destroyed it.</p></blockquote></figure> <p>Egwene goes on to reflect on her own motivations and what parts of life are truly important. Again, I saw the difference between where she is mentally and where Rand is. As Min pointed out to Nynaeve in chapter 37, Rand has forgotten how to value the very thing he is fighting for. But throughout Egwene’s story, from her early days realizing she can channel to her time as a <em>damane</em>, to her studies with the Aiel, to her rise to Amyrlin, Egwene has always asked herself these questions, and always reaffirmed her desires and motivations to herself.</p> <p>Egwene can be very cutthroat as a character; in some ways I have never found her the most interesting of the core crew. But this clear-sightedness makes her a very special person, and a very special player on the board, so to speak. I’m so eager to see her reunite with Rand. As Amyrlin, she is going to feel like a threat to him and he to her, but Egwene’s reflections on Rand’s suffering make me think she might be in a better place to understand him than most people. Perhaps that understanding and wisdom, coupled with their shared history, will help her reach him when others have failed.</p> <p>After all, the division between male and female channelers was a part of the conflict that led to the tainting of <em>saidin</em> and the Breaking of the World. Whether it was the cause of Lews Therin’s failure or the only thing that saved both halves of the One Power from being tainted we’ll never know, but what we do know is that healing the world must include healing the divide between channelers. After all, we have been told from the very beginning that the greatest works of channeling can only be accomplished by both halves of the One Power being used in tandem. In this Age, the Dragon Reborn and the Amyrlin Seat are the symbols of each half, as well as the collective leaders of all the majority of channelers.</p> <p>Verin’s comments about Laras being an extraordinary woman reminded me of Laras’ actions in helping Min and Siuan and Leane escape the White Tower, and how Laras also tried to help Egwene escape, because she was fundamentally opposed to seeing a woman broken. In some ways, Laras’ perspective foreshadowed Silviana’s. Like Laras, Silviana saw Egwene’s treatment as unjust, and refused to be party to it. The fact that Silviana was willing to stand up to Elaida in such a public way shows that she is someone who both believes in justice and law, and is willing to fight for it, which is especially refreshing to see in a Red.</p> <p>In this very chapter we learn that there are more Black sisters among the Reds than any other Ajah (no surprise there) and also that getting to beat Egwene is considered a reward for the Red sisters who have had to spend their time in the dungeons maintaining her shield. The Red Ajah has never been painted in a good light; they are usually cruel, suspicious, and have a particular dislike for the Blue Ajah, which predisposes the reader to dislike them. It’s always bothered me a little that there’s a “man hater” Ajah, and that the reds are the bad guys as much, or at least nearly as much, as the Black, but we do have examples of good women, and good Aes Sedai, among the reds. Pevara is one, and so is Silviana.</p> <p>Now Egwene knows the truth about the Black Ajah, and how much they were actually behind the division in the White Tower. Verin has correctly deduced that Elaida was manipulated by Black sisters close to her and has also recorded the identity of many Black sisters in positions of power in Salidar, revealing that it’s not just Elaida who has been a puppet for the Black. I really felt for Egwene’s grief over learning that Sheriam was black, and I can appreciate her disgust at having someone so close to her be black after the revelation about “Halima” and Delana. She&#8217;s now also been put in a position to consider herself the same as Elaida (in this one very particular way). </p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“How the Dark One must have laughed to see two rival Amyrlins, each with one of his loyal minions at her side, pitting them against one another.”</p></blockquote></figure> <p>Then again, she considers Verin’s words that no one can be certain what the Dark One wants, or why he wants it. It seems important that Egwene is becoming aware of the way that humanity anthropomorphizes the Dark One, attributing human desires and human reactions to a fundamentally inhuman being. If Rand comes to understand this as well, the fight against the Dark may become very different, and how they handle Darkfriends, even the Forsaken, may as well.</p> <p>There was a moment that caught my attention from a continuity perspective. When Turese looks in to see who is channeling and sees Meidani demonstrating one of the 100 weaves, it is mentioned that the weave “blocked her sight of Verin’s face.” It was always my understanding that weaves are only seen in the metaphysical sense, that they are not actually visible to the eye. This is certainly true at least some of the time; when Nynaeve delves Logain, Leane, and Siuan to examine the effects of their stilling/gentling, the narration describes what she is seeing in visual terms, but obviously she isn’t looking inside them with x-ray vision.</p> <p>I can’t point to a specific description of “seeing” weaves that proves my interpretation correct, but it is interesting that Sanderson visualized them as being seen in a more physical way, such that they could block your view of something else. It makes me curious as to which way Jordan imagined them.</p> <p>Moments I really enjoyed in this chapter:</p> <p>When Verin lies about the color of Egwene’s dress, she says that it is green. It felt like a little allusion to the fact that Egwene would have chosen the Green if she’d had the opportunity. I doubt it was consciously intentional on Verin’s part, but it felt right, thematically. Maybe it even reflected Verin’s impression of Egwene, or her feelings about the battle they are both fighting.</p> <p>Verin was impressed that Egwene wasn’t still “dawdling” outside the Tower wasting time, but Egwene ending up in the White Tower was a complete accident—a stroke of bad luck that actually turned out to be good luck. It makes you think about the designs of the Pattern and how much of what happens is the Wheel exerting its will on the threads of people’s lives.</p> <p>I also enjoyed the little interlude while Egwene waited for Siuan to join her at the meeting place. She reflected on how the gardeners and other servants keep the Tower running, as Amyrlins rise and fall and Tower politics continue on, and how in many ways they <em>are</em> the White Tower, more than any individual Aes Sedai. This is a reflection we see in other areas as well, when we encounter the people who run the palaces, manors, and other important places owned by the nobility.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>We’ll be moving on next week to cover chapters 40 and 41, and possibly 42, since it’s mostly action. The Seanchan attack that Egwene Dreamed of and Tuon set in motion in chapter 36 has come to pass, and no one is emerging from it unscathed.&nbsp;</p> <p>But before I bid you all a good week, I wanted to bring up one more thought. When Egwene is reflecting in the Tinker camp and reminding herself of what in life is really important, she takes a moment to interrogate her own motivations: whether she is fighting for the White Tower for power or pride, or if it’s because she truly believes that it is what is best for the world. Then she wonders if she is going to “to suck herself dry” in the fight.</p> <p>Siuan has also been warning Egwene, almost continually, about the dangers of stretching herself too thin, of taking on too much. This is compared to how Siuan fell, but it could also be compared to the way Rand is exhausting himself. In Rand’s case, he is fully expecting to die in the Last Battle, and does not see either the literal or moral reason to protect any reserves for himself. His view of himself is more pessimistic, more self-destructive, but is it very different from Egwene’s, really? How many times has she said that her death would be a victory? How often has she determined that there is no sacrifice too great for the good of the Tower, and the world?</p> <p>What if Rand isn’t the one to die at the Last Battle. What if… what if it was Egwene?</p> <p>This is one of those moments that feel a little silly, because I’m speculating about something that most, if not all, of my readers already know the answer to, but I have always felt that Rand’s death, narratively speaking, is unlikely. The more he is convinced he won’t make it, the more I am convinced that he will. From a storycraft perspective, it just makes sense to subvert that expectation.</p> <p>But it also makes sense that we will lose someone important in the Last Battle. Probably a few someones. And looking at Egwene’s journey, I can’t help but think that she is a prime candidate.</p> <p>And oh, how that would <em>hurt</em>.[end-mark]</p> <p>The post <a href="https://reactormag.com/reading-the-wheel-of-time-egwene-wears-green-metaphorically-in-the-gathering-storm-part-23/">Reading The Wheel of Time: Egwene Wears Green (Metaphorically) in &lt;i&gt;The Gathering Storm&lt;/i&gt; (Part 23)</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-egwene-wears-green-metaphorically-in-the-gathering-storm-part-23/">https://reactormag.com/reading-the-wheel-of-time-egwene-wears-green-metaphorically-in-the-gathering-storm-part-23/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846263">https://reactormag.com/?p=846263</a></p>

Wedding Wrecks, Vol. 379

Apr. 21st, 2026 01:00 pm
[syndicated profile] cakewrecks_feed

Posted by Jen

The wrecky forces-that-be have smiled upon us once more, dear minions.

Translation?

I HAVE MORE WEDDING WRECKS.

 

Here's what Daisy had in mind when she ordered her mini cake and cupcake tower:

 

But instead...

 

Oooh, you guys, I feel a bucket list item coming up:

This is it! THIS IS IT.

Ahem hem hem.

Q: What's black-and-white and wrecked all over?

A: KELLY'S WEDDING CAKE.

 

(Sorry, Kelly.)

 

And finally, behold the elegant glory of the cake Kassandra ordered for a whopping $750:

Oooh, you've got good taste, Kassandra.

 

...but terrible luck with bakers:

o.0

 

Here's how I imagine Kassandra's baker dropped off the cake:

"My work here... IS DONE."

 

Thanks to brides Daisy E., Kelly J., & Kassandra for reminding us wedding wreckage is serious business.

*****

P.S. Since this saved my butt during a long painting day recently, I have a random product recommendation:

No Buckle No-Show Stretch Belt

This is my new favorite belt, y'all. It basically turns anything with belt loops into an elastic waist. So comfy I forget it's on, slimline so it doesn't show under my t-shirts, and NO BELT BUCKLE to dig into my belly or unbuckle for bathroom breaks. Woohoo!

You know how stretch jeans are forever sliding down when you sit or bend, so you have to keep hitching them back up? No more! I wear this with all my jeans now. It's entirely elastic, so it moves and stretches with you, zero painful digging. I HIGHLY recommend for anyone well endowed with squish in the belly area.

*****

And from my other blog, Epbot:

[syndicated profile] tordotcom_feed

Posted by Sarah

Books Horror

Otherworldly Wavelengths: 8 Books About Haunted Broadcasts

Stories of ghostly images and sinister sounds haunting the airwaves…

By

Published on April 21, 2026

Photo by Andrea De Santis [via Unsplash]

Photo of a collection of vintage radios stacked on top of each other

Photo by Andrea De Santis [via Unsplash]

Sometimes, when you tune in to the right station or the right channel at night, you might feel the shivery sensation of something out there tuning right back. It can be as innocent as a sitcom you’ve never seen before broadcast late at night, a weird story you hear breaking through the static on the AM radio, even a piece of music drifting out of nowhere when driving after dark.

It’s the feeling of something haunting you, lingering in the air through the sounds and images beamed to the electronics around you… a sense of tapping into something much larger and stranger than you could ever know. While that “haunting” isn’t necessarily real, a number of authors have taken that very distinctive sensation and woven it into their fiction. Here are eight books that dare to ask: When you tune into that strange, unnerving wavelength, what’s tuning into you?

Scanlines by Todd Keisling

cover of Scanlines by Todd Keisling

The Duncan Tape was an urban legend, a ghost story about a politician’s death on live TV. It remained a legend until Danny, Robby, and Jordan tried to download what they thought was porn from the internet only to be confronted with the footage from the Duncan Tape. This unleashes a string of horrible and tragic events, but this is no mere suburban Ringu riff. Scanlines instead deals with the very real and deeply wrenching feelings of depression, mental illness, loss of friends, and other mundane horrors in the most existentially raw horror novel this side of B.R. Yeager’s Negative Space. It’s a book about loss—of innocence, and far beyond—where the horror lingers on just as long as the image of Congressman Hardy’s grotesque spirit; it’s an absolute gut-punch in the guise of a haunted broadcast story.

Note: Due to the themes contained in the book, Scanlines warrants strong content warnings for loss, depression, mental illness, and suicide. Please read responsibly and at your own risk.


The Haunting of Camp Winter Falcon by Jonathan Raab

cover of The Haunting of Camp Winter Falcon by Jonathan Raab

A group of veterans are brought to Camp Winter Falcon, a military base in the Colorado mountains, for an experimental program that they are told will help them resolve their trauma and mental issues. As they’re put through their paces, it becomes clear that there’s much more than healing on the minds of those behind the Program: The sinister Malthus Corporation (a mainstay of Raab’s work) and even stranger supernatural entities reach out to the vets through a variety of recorded images. Something is broadcasting from the bowels of Camp Winter Falcon, creating a supernatural feedback loop and plunging the vets into a fight for their souls. Raab’s high strangeness and knack for conjuring up cursed images underscore the real horror here— a deeply realistic look at trauma and coming to terms with psychological issues from an author who perfectly blends empathy and weird psychedelic horror.


Kill Radio by Lauren Bolger

cover of Kill Radio by Lauren Bolger

Rory finds his estranged father’s handmade DIY radio in the closet, a relic of time his mother Rachelle spent with the man who harmed her in numerous, indelible ways. When the radio turns on, it releases a burst of static that summons hellhounds and causes bizarre events and demonic possession around Rory, Rachelle, and their loved ones. Their frantic search for a way to sever the cursed radio from its connection to Hell leads Rachelle and Rory to confront their past and rely on unlikely allies. While Bolger’s gift for the macabre is clear, it’s the lingering trauma that hangs over the horrifying proceedings and worms its way into even the most placid moments, the abuse that Rory and Rachelle escaped still leaving its marks from miles away.


Creeping Waves by Matthew M. Bartlett

cover of Creeping Waves by Matthew M Bartlett

Gateways to Abomination, Bartlett’s first foray into the unnerving world of Leeds, MA and its sinister radio station of WXXT was a self-published horror classic. Creeping Waves refined the premise, taking the reader on a guided tour of the town on the border of mind-shredding terror and chaos personally orchestrated by WXXT’s goat-man station director, Benjamin Scratch Stockton. With each unnerving vignette, characters appearing and disappearing as they go about their own days, Creeping Waves becomes a twisted Our Town, a portrait of a place where the radio inspires murderous rampages and townsfolk hold occult funerals, all connected by the deranged local radio station as it moves through its broadcast day, ensnaring the unsuspecting.


Lost Signals edited by Max Booth III and Lori Michelle

cover of Lost Signals anthology

The entirely of the “Haunted Technology” trilogy (Lost Signals, Lost Films, Lost Contact) from Booth and Michelle could claim a place on this list, given that haunted broadcasts tend to be a recurring theme throughout the themed anthologies, but it’s in the first book that there’s the strongest connection to the theme. In this wild whirl of the dial, you’ll find a memorable drive through the desert with a seemingly broken radio, occult pirate broadcasts, noir punctuated with apocalyptic pronouncements, and even wilder interpretations of the basic concept of a terrifying broadcast from beyond.

Standout Stories: “The Desert of Wounded Frequencies” by Betty Rocksteady, “The Night Wire” by H.F. Arnold


Ghost Radio by Leopoldo Gout

cover of Ghost Radio by Leopoldo Gout

Joaquin hosts Ghost Radio, “the scariest show on Mexican radio,” with his sound engineer Watt. Every night, people from all over call in to tell their ghost stories live on-air. When something sinister with ties to Joaquin’s past latches on to the signal from the show—something that hides in music and radio signals—it plunges Joaquin, Watt, and Joaquin’s girlfriend Alondra into a twisted underworld of ghosts, eccentric priests, corrupt cops, and the land of the dead. Gout weaves between multiple strands of narrative and Ghost Radio’s listener stories to construct a strange but vibrant occult portrait of Mexico City, one backed by an absolutely stacked soundtrack as befits a novel about sound and music.


“Lemon Heart” by Koji Suzuki

cover of Birthday by Koji Suzuki

Located within the Birthday collection, a series of interstitial stories set in the larger universe of Suzuki’s Ring books is “Lemon Heart,” an unusual gothic novella centered around the use of sound. In it, a former sound booth operator for a small theater company is contacted by a reporter, eager to hear stories of his young adulthood working for the theater company and his entanglement with its intern and lead actress, a strange young woman named Sadako. “Lemon Heart” is unnerving enough with its birth imagery, secret shrines, and Sadako’s lingering spirit in the present sections, but most unnerving is the explanation of her powers: she’s able to act like a psychic broadcast antenna and record herself into media—something that would later allow her to “infect” videotapes, books, and even the internet.


Nonesuch by Francis Spufford

cover of Nonesuch by Francis Spufford

As much a weird history novel as one involving haunted broadcasts, Nonesuch begins with aspiring financier Iris and her artist friend Eleanor. The two ditch a boring dinner and run to an underground gathering of artists, where they meet George and Frobisher, an engineer and announcer at the new television station at Alexandra Palace. A wild night of passion and several energetic collisions later and Iris has a sinister encounter with something not quite human, a new nemesis in the form of a posh fascist trying to use televisions to access an eldritch plane of existence, and an occult struggle she’s been dragged into against her will. Nonesuch is a strange book, at once cinematic in its visual flair and yet highly literary, epic but moving at a mile a minute as it whips through its gothic fantasy-adventure paces with bright energy and a wild sense of beauty and abandon—throughout it all, Spofford’s gift for a good image is unmistakable.[end-mark]


The post Otherworldly Wavelengths: 8 Books About Haunted Broadcasts appeared first on Reactor.

Apart Challenge: Babylon 5: Set Apart

Apr. 21st, 2026 02:34 pm
badly_knitted: (B5)
[personal profile] badly_knitted posting in [community profile] fan_flashworks

Title: Set Apart
Fandom: Babylon 5
Author: [personal profile] badly_knitted
Characters: Byron.
Rating: PG
Word Count: 200
Spoilers/Setting: Early season 5.
Summary: Telepaths are feared and distrusted.
Content Notes: None needed.
Written For: Challenge 513: Amnesty 85 at fan_flashworks, using Challenge 463: Apart.
Disclaimer: I don’t own Babylon 5, or the characters. They belong to J. Michael Straczynski.
.



lilly_c: Chakotay on the hull of the Protostar on Ysida looking sad (Chakotay)
[personal profile] lilly_c posting in [community profile] fan_flashworks
Title: without you by my side
Fandom: Star Trek: Prodigy
Rating:
Length:
Content notes: Planets background is from wallpaper access (artist unknown, not credited by source), Star Trek: Prodigy screencaps used are my own from Observer's Paradox, Last Flight Of The Protostar and Cracked Mirror. The text is selected lyrics from You & I by Rayne, working from Rob IYF & Meakz cover of it with the title Gravity, both versions are still hitting my J/C feels hard. Font used is SaltTruckToTheStars.
Author notes: This is my first time working in Pixelmator Pro on Mac and I'm still very much learning how to use it including any tips and tricks not included in Apple's documentation and I’m more used to working in Photoscape X.
Summary: Chakotay’s loneliness while on Ysida.

without you by my side )

(no subject)

Apr. 21st, 2026 09:31 am
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin
Happy birthday, [personal profile] lexin!

This Rough Magic: chapters 20-22

Apr. 21st, 2026 07:28 am
shewhostaples: (Default)
[personal profile] shewhostaples posting in [community profile] girlmeetstrouble
So that's all over, bar the shouting? No! Three chapters is plenty of space for more trouble.

Lucy comes around at the opening of chapter 20 Read more... )

I feel that we can all agree with Phyl's assessment of Godfrey as a "stinking twerp".

Chapter 21, and there's nobody at the Castello. Read more... )

Chapter 22 takes the action all the way to the end. Read more... )

And that's the end! Thank you all for reading and commenting along. Comments are open for your thoughts on the last three chapters and/or the book as a whole. [personal profile] wychwood, what are we reading next?
sovay: (Silver: against blue)
[personal profile] sovay
It was cold enough in the intermittent late sun that I should have worn gloves, but I walked out and photographed the flowering things of my neighborhood.

I'll salt circle your brain if I have to. )

It was a delight to run into Elana Lev Friedland on North Street. We talked cosmic horror and capitalism until my hands stiffened up. I dove for the bag of bagels as soon as I got home and made myself one with cream cheese and lox, the latter eagerly shared by Hestia. She has taken to leaping onto the top of the washing machine at the slightest rustle that might suggest deli meats. I fell asleep in the evening, but [personal profile] spatch cooked me scrambled eggs and afterward [personal profile] rushthatspeaks and I talked over our days. I am fascinated by the blue-based earthtongue.

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