tree_and_leaf: Peter Davison in Five's cricket gear, leaning on wall with nose in book, looking a bit like Peter Wimsey. (Books)
I have found a new toy! The literature map (based on an experiment called http://www.gnod.net/ ) asks you to enter an author, and then tells you what other books readers of X are likely to read (it appears to be run by a German and to incorporate German data).

I can't, having taken a quick look round the site, find out where he's got his data from, but it's fun nonetheless. I tried it with Hermann Kant, because it was one of the first hits on Kant (there's not a lot of stuff about him on the web, and most of what there is is just lifted from German wikipedia), and am torn between being baffled and half-convinced. The closeness of Kleist says 'German undergraduate reading list' to me, but I'm intrigued by the presence of Raymond Chandler (who Kant riffs on at various points in Die Aula and Terry Pratchett. Which I wouldn't have thought... but then I do read rather a lot of Pratchett, and I suppose there's a certain amount of similarity, even though Pratchett writes fantasy and Kant doesn't...

The Terry Pratchett one's quite interesting, too (and seems quite plausible).

Find it hard to believe that Tolkien fans are more likely to read Tom Clancy than CS Lewis, though, and am inclined to think something is skewing the sample (possibly this is it being a German site - Lewis is still quite obscure in Germany. All the same, Tom Clancy?)

ETA: found how it works. There's an interface where you stick in three favourite authors. Then it suggests names other people who like some of yours have liked, and you rate them as 'like' 'dislike' 'haven't read'. Not v. scientific, but a perilously addictive way of wasting time....
tree_and_leaf: Harriet Vane writing, caption edit edit panic edit research edite WRITE. (writing)
I have also been re-reading Hermann Kant's Die Aula, a heavily autobiographical story about an East German journalist who is looking back on the three years he spent after the war preparing for university, thanks to a new programme for bright proletarians who had to leave school without qualifications - and trying (a) to work out why the most talented and enthusiastic member of the class is now running a pub in Hamburg, and (b) to avoid confronting the fact that he betrayed his best friend out of jealousy, in a way we only discover towards the end of the book.

Which makes it sound very gloomy, but it's actually extremely funny, and written in a witty and allusive style. It's about how the past shapes us, but also about how we remember the past - and how we write stories about it. So the first sentence is still curiously recognisable to anyone who's trying to get words down on paper:

There's this man, he sits over a typewriter, smokes too much, blows dust off the keys, bites into an apple and thinks of Schiller,* stares at the empty paper and then at the clock, scrapes away at the sticky lower-case a until it's clean again, has yet another cigarette on the go, and he calls all that work.

He's lying in wait for a thought.


(Da sitzt einer über seiner Schreibmaschine, raucht zuviel, bläst Staub von den Tasten, beißt in einen Apfel und denkt an Schiller dabei, starrt auf das leere Papier und dann auf die Uhr, kratzt an dem verklebten kleinen a herum, bis es wieder sauber ist, und nennt das alles Arbeit.

Er lauert auf einen Gedanken.)

*Schiller used to leave apples in his desk and not find them until someone else noticed the rotting smell...

† Perhaps unsurprisingly, no sooner has our hero found the thought, than he gets a telegram inviting him to give a speech celebrating the educational programme, now to be abolished, which he will spend the reset of the book trying to write. He never does get to give it.
tree_and_leaf: Watercolour of barn owl perched on post. (Default)
Thoughtful reflection on living under surveillance and on East Germany, by Neal Ascherson:

http://observer.guardian.co.uk/review/story/0,,2030955,00.html

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