tree_and_leaf (
tree_and_leaf) wrote2016-05-15 05:38 pm
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Random CS Lewis question
I was thinking - mid washing-up - about Voyage to Venus, specifically about the way in which the plot requires Ransom to kill Weston, or at least to kill his body if we assume that Weston's soul really is gone and not capable of being restored.
Why isn't some kind of exorcism a possible solution, and why doesn't it even occur to Ransom that it might be?
I mean, yes, the series is full of plot holes, even if you prefer to pretend that That Hideous Strength didn't happen, or alternatively that the Director isn't actually Ransom at all given that he isn't actually all that much like him, Symbolic Wounds aside*, and could have benefited from a rigorous beta reader. But that one seems particularly odd.
* In the immortal words of Dorothy L Sayers, "I liked Ransom better before he took to lying on sofas like the Heir of Redclyffe", though I think she was actually being a little unfair to Yonge there.
Why isn't some kind of exorcism a possible solution, and why doesn't it even occur to Ransom that it might be?
I mean, yes, the series is full of plot holes, even if you prefer to pretend that That Hideous Strength didn't happen, or alternatively that the Director isn't actually Ransom at all given that he isn't actually all that much like him, Symbolic Wounds aside*, and could have benefited from a rigorous beta reader. But that one seems particularly odd.
* In the immortal words of Dorothy L Sayers, "I liked Ransom better before he took to lying on sofas like the Heir of Redclyffe", though I think she was actually being a little unfair to Yonge there.
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On a Watsonian level, that's all I can think of. Even so, you'd think Ransom would at least consider it, though.
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Is CSL on the record regarding exorcism?
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Mind you, I'm not sure how Ransom knows he's dealing with a zombie/ed corpse - the swallowing broken glass bit might merely prove that the Forces of Evil don't care what state Weston's body winds up in as it's not their long term problem.
I also, from a theological standpoint, see no reason why you can't exorcise a possessed corpse, and have been worth at least giving it a go. Though I suppose since Ransom is convinced God wants him to deal with the problem on a purely physical plane, it's plausible that he wouldn't.
I do think that aspect of the plot's a mess, though.
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But the whole setup sounds hinky from the start. Why Ransom?
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Actually, you don't need any of the paraphanalia - as far as I know, that applies even in the case of the full Roman Rite major exorcism. (I can't find a reliable text of the rite online; it is restricted to those authorised by the bishop, which is probably sensible). The bigger obstacle is that Ransom isn't a priest.
"Minor" exorcisms are actually just fairly emphatically worded prayer for healing, blessing, protection and deliverance, and don't need any special kit at all, or indeed require the officiant to be ordained, though for obvious reasons, DIY exorcisms are generally discouraged.
Oddly enough, there's actually an exorcism prayer in the baptismal liturgy, though it's quite tactfully phrased, and for obvious reasons I don't call it that when talking parents through the service. But it is, nonetheless, an exorcism.
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I did read Paradise Lost as an undergraduate, but I've forgotten most of it, except the bits that irritated me. I couldn't face Comus.
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On the second point: not as far as I know, but I'm not a Lewis expert.
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I don't think you need to be that Catholic to start wondering about whether an exorcism is the way forward once you have seriously accepted the idea that someone you're dealing with is possessed by the devil (or, for that matter, that the devil is animating his corpse), but perhaps this is a sad result of being Insufficiently Manly (but battles are ugly when women fight. That's me in trouble coming and going).
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Still. It would have taken Ransome ten seconds to say "In the name of Maledli the Young, depart, foul fiend", and given that Ransome really isn't keen on unarmed signle combat to the death, you'd have thought he'd have given it a go...
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ETA: no, I'm talking rubbish: Lewis abridged it himself, for the American market.
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*delurks* May I ask what you mean when you say 'Watsonian' in this context?
In any case, now I want to reread Out of the Silent Planet!
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It's a term from Sherlock Holmes fandom. A 'Watsonian' explanation is one that tries to make sense of something in in-universe terms. The opposite is a 'Doylist' explanation, which tries to explain it in terms of what the author was doing, deliberately or not. A Doylist explanation for the change in tone between 'Perelandra' and 'That Hideous Strength' would be that Lewis became friends with Charles Williams and wanted to pay tribute to him.
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